Research Publications

Books
2015 Communication, Digital Media and Everyday Life, new edition, Oxford University Press, South Melbourne (co-authored with Tony Chalkley, Mitchell Hobbs, Toija Cinque, Brad Warren, and Mark Finn).
2013 Judging ‘Privileged’ Jews: Holocaust Ethics, Representation, and the ‘Grey Zone’, Berghahn, New York.
2012 Communication, New Media and Everyday Life, Oxford University Press, South Melbourne (co-authored with Tony Chalkley, Toija Cinque, Brad Warren, Mitchell Hobbs and Mark Finn).
Journal Articles
2016 ‘Playing with Other(ed) Species: Games, Representation, and Nonhuman Animals,’ Ctrl-Z: New Media Philosophy, no. 6, http://www.ctrl-z.net.au//journal?slug=brown-waterhouse-watson-playing-with-othered-species (co-authored with Deb Waterhouse-Watson).
2016 ‘Playing with the History of Middle Earth: Board Games, Transmedia Storytelling, and The Lord of the Rings,’ Journal of Tolkien Research, vol. 3, no. 3, http://scholar.valpo.edu/journaloftolkienresearch/vol3/iss3/4/ (co-authored with Deb Waterhouse-Watson).
2016 ‘Mothers, Monsters, Heroes and Whores: Reinscribing Patriarchy in European Holocaust Films,’ Dapim: Studies on the Holocaust, vol. 30, no. 2, pp. 142-57 (co-authored with Deb Waterhouse-Watson).
2015 ‘Playing for Their Lives: Music, Musicians, and Trauma in Holocaust Film’, Dapim: Studies on the Holocaust, vol. 29, no. 1, pp. 1-16 (co-authored with Deb Waterhouse-Watson).
2015 ‘Educating Generation Next: Screen Media Use, Digital Competencies, and Tertiary Education’, Digital Culture & Education, vol. 7 (co-authored with Toija Cinque).
2014 ‘The Future of the Past: Digital Media in Holocaust Museums’, Holocaust Studies: A Journal of Culture and History, vol. 20, no. 3, pp. 1-32 (co-authored with Deb Waterhouse-Watson).
2014 ‘Reconfiguring Narrative in Contemporary Board Games: Story-Making Across the Competitive-Cooperative Spectrum’, Intensities: The Journal of Cult Media – Transmedia Relationships Between Film/Television and Board Games, no. 7, Summer (co-authored with Deb Waterhouse-Watson).
2014 ‘Between Whores and Heroes: Women, Voyeurism and Ambiguity in Holocaust Film’, Outskirts: Feminisms along the Edge, vol. 30, May, http://www.outskirts.arts.uwa.edu.au/volumes/volume-30/waterhouse-watson-and-brown (co-authored with Deb Waterhouse-Watson).
2014 ‘The Other Side of a Slap in the Face: Judgement and the Ambiguities of Violence in Holocaust Testimony’, Dandelion, vol. 5, no. 1, http://dandelionjournal.org/index.php/dandelion/article/view/199/180 (co-authored with Deb Waterhouse-Watson).
2014 ‘Narratives of Judgement: Representations of “Privileged” Jews in Holocaust Documentaries’, LISA e-journal, vol. 12, no. 1, http://lisa.revues.org/5652.
2013 ‘The Australian Broadcasting Corporation’s Multiplatform Projects: Industrial Logics of Children’s Content Provision in the Digital Television Era’, Convergence: The Journal of Research into New Media Technologies, vol. 19, no. 2, May, pp. 201-21 (co-authored with Leonie Rutherford).
2012 ‘Screening Women’s Complicity in the Holocaust: The Problems of Judgement and Representation’, Holocaust Studies: A Journal of Culture and History, vol. 17, no. 2-3, Summer/Autumn, pp. 95-127.
2012 ‘“Beautiful, Unethical, Dangerous”: Screening Surveillance and Maintaining Insecurities’, Reconstruction: Studies in Contemporary Culture. Special Issue: ‘(In)Securities’, vol. 12, no. 3, pp. 1-12, http://reconstruction.eserver.org/123/Brown-Chalkley.shtml (co-authored with Tony Chalkley).
2011 ‘“No One Will Ever Know…”: The Holocaust, “Privileged” Jews, and the “Grey Zone”’, History Australia, vol. 8, no. 3, December, pp. 95-116.
2011 ‘Women in the Grey Zone: Ambiguity, Complicity and Rape Culture’, M/C: A Journal of Media & Culture, vol. 14, no. 5, October, http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/417/0 (co-authored with Deb Waterhouse-Watson).
2011 ‘Postcolonial Play: Constructions of Multicultural Identities in ABC Children’s Projects’, M/C: A Journal of Media & Culture, vol. 14, no. 2, May, http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/353 (co-authored with Leonie Rutherford).
2010 ‘Beyond “Good” and “Evil”: Breaking Down Binary Oppositions in Holocaust Representations of “Privileged” Jews’, Compass – Special Issue, October, https://compassconference.wordpress.com/tag/adam-brown/.
2010 ‘Beyond “Good” and “Evil”: Breaking Down Binary Oppositions in Holocaust Representations of “Privileged” Jews’, History Compass, vol. 8, no. 5, May, pp. 407-18.
2010 ‘Confronting “Choiceless Choices” in Holocaust Videotestimonies: Judgement, “Privileged” Jews, and the Role of the Interviewer’, Continuum: Journal of Media and Communication Studies – Special Issue: Interrogating Trauma: Arts & Media Responses to Collective Suffering, vol. 24, no. 1, February, pp. 79-90.
2009 ‘Trauma and Holocaust Video Testimony: The Intersection of History, Memory and Judgment in the Interview Process’, Traumatology: An International Journal – Special Issue: History, Memory, and Trauma, vol. 15, no. 4, December, pp. 44-54.
2009 ‘Marginalising the Marginal in Holocaust Films: Fictional Representations of Jewish Policemen’, Limina: A Journal of Historical and Cultural Studies, vol. 15, http://www.limina.arts.uwa.edu.au/previous/vol11to15/vol15/ibpcommended.
2008 ‘Traumatic Memory and Holocaust Testimony: Passing Judgement in Representations of Chaim Rumkowski’, Colloquy: Text, Theory, Critique, no. 15, June, pp. 128-44.
Book Chapters
2016 ‘Playing with Gender: (Re-)Imagining Women and Men in Fantasy Board Games,’ in Esther MacCallum-Stewart and Jude Roberts (eds.), Gender and Sexuality in Contemporary Popular Fantasy, Routledge, London, pp. 133-49 (co-authored with Deb Waterhouse-Watson).
2015 ‘Representing Rape in Holocaust Film: Exhibiting the Eroticised Body for the Camera’s Gaze’, in Karen Auerbach (ed.), Aftermath: Genocide, Memory and History, Monash University Press, Melbourne, pp. 169-84 (co-authored with Deb Waterhouse-Watson).
2015 ‘Making Meaning Through Narrative: Conventions, Intertextuality and Transmedia Storytelling’, in Tony Chalkley, Mitchell Hobbs, Adam Brown, Toija Cinque, Brad Warren, and Mark Finn, Communication, New Media and Everyday Life, Oxford University Press, South Melbourne, pp. 56-66.
2015 ‘Reading Film: Techniques, Identification and Ideology’, in Tony Chalkley, Mitchell Hobbs, Adam Brown, Toija Cinque, Brad Warren, and Mark Finn, Communication, New Media and Everyday Life, Oxford University Press, South Melbourne, pp. 157-70.
2015 ‘Navigating Social Media: Identity, Privacy and Performativity in the Digital Age’, in Tony Chalkley, Mitchell Hobbs, Adam Brown, Toija Cinque, Brad Warren, and Mark Finn, Communication, New Media and Everyday Life, Oxford University Press, South Melbourne, pp. 219-30.
2014 ‘When the Holocaust Comes to Harlem: Traumatic Memory, Race, and Economic (In)Justice in American Holocaust Film’, in Dana Mihăilescu, Roxana Oltean and Mihaela Precup (eds.), Mapping Generations of Traumatic Memory in American Narratives, Cambridge Scholars, Newcastle upon Tyne, UK, pp. 8-30 (co-authored with Danielle Christmas).
2013 ‘Holocaust Testimony and the Question of “Guilt”: The Case of Traudl Junge’, Tom Clark and Sasha Henriss-Andersse (eds.), Testimony, Witness, Authority: The Politics and Poetics of Experience, Cambridge Scholars, Newcastle, UK, pp. 116-27 (co-authored with Deb Waterhouse-Watson).
2013 ‘Screening Women’s Complicity in the Holocaust: The Problems of Judgement and Representation’, in Jenni Adams and Sue Vice (eds.), Representing Perpetrators in Holocaust Literature and Film, Valentine Mitchell, Edgware and Portland, pp. 69-90.
2012 ‘Narrative, Communication Tools, and Meaning Making: “Tell Me a Story!”’, in Tony Chalkley, Adam Brown, Toija Cinque, Brad Warren, Mitchell Hobbs, and Mark Finn, Communication, New Media and Everyday Life, Oxford University Press, South Melbourne, pp. 32-40.
2012 ‘Ideology and Meaning in Film: Life in Surround Sound’, in Tony Chalkley, Adam Brown, Toija Cinque, Brad Warren, Mitchell Hobbs, and Mark Finn, Communication, New Media and Everyday Life, Oxford University Press, South Melbourne, pp. 111-22.
2012 ‘Social Networking and Social Norms: “Be Nice or I’ll Delete You”’, in Tony Chalkley, Adam Brown, Toija Cinque, Brad Warren, Mitchell Hobbs, and Mark Finn, Communication, New Media and Everyday Life, Oxford University Press, South Melbourne, pp. 165-75.
2011 ‘Confronting “Choiceless Choices” in Holocaust Videotestimonies: Judgement, “Privileged” Jews, and the Role of the Interviewer’, in Mick Broderick and Antonio Traverso (eds.), Interrogating Trauma: Collective Suffering in Global Arts and Media, Routledge, London and New York, pp. 79-90.
2007 ‘The Trauma of “Choiceless Choices”: The Paradox of Judgement in Primo Levi’s “Grey Zone”’, in Matthew Sharpe, Murray Noonan, and Jason Freddi (eds.), Trauma, History, Philosophy, Cambridge Scholars, Newcastle, UK, pp. 142-63.
Refereed Working Papers
2011 ‘Multiplatform Innovation and Participatory Citizenship: The Australian Broadcasting Corporation’s Digital Children’s Television Projects’, in Fethi Mansouri and Vince Marotta (eds.), Citizenship and Globalisation Research Papers, vol. 2, no. 3, October, http://www.deakin.edu.au/arts-ed/ccg/cgrp-pdf/ccg-rps-vol2-no3-2011.pdf.
Refereed Conference Papers
2010 ‘“Privileged” Jews, Holocaust Representation and the “Limits” of Judgement: The Case of Raul Hilberg’, in Evan Smith (ed.), Europe’s Expansions and Contractions: Proceedings of the XVIIth Biennial Conference of the Australasian Association of European Historians (Adelaide, July 2009), Unley: Australian Humanities Press, pp. 63-86.
Non-refereed Conference Papers
2006 ‘Bridging Evil and Humanity: Representing the “Grey Zone” in Holocaust Film’, 4th Annual Hawaii International Conference on Arts & Humanities, Honolulu, HI, January, www.hichumanities.org/AH2006.pdf, pp. 460-70.
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